RW

Rosalind Whitman

  • 1 Making clay bole for gilding

  • 2. Application of the bole layers to gesso panel

  • 3. Applying gold leaf to panel

  • 4. Panel with burnished sky, unburnished mountains and stamped haloes

  • 5. Commencement of the underpainting

  • 6. Developing tonal values

  • 7. The underpainting in progress

  • 8. Annunciation and Visitation with gilded frame

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Annunciation and Visitation

Sculpture and Bronze Relief

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